Hi dears,
I have a basic question, when I use the parameters of
#room 20 # distort 20 # lpf 200,
it is possible for me to have
#room 20 # distort 20
be processed first, then Is it handled by the parameters of lpf? That is to say, in theory, the final sound I hear will not exceed 200 hz, taking the above code as an example
cleary
June 26, 2023, 8:11pm
2
Hi,
I don't know the answer to your question specifically, but if you look here:
Some effects (frequency shift, delay, surely others) are "linear": whether one applies the effect to each individual voice and then sums, or simply applies them to the sum, makes no difference (unless the unnecessarily complex version makes your computer choke). But my favorite effect, distort, sounds very different if applied to the sum of a bunch of voices rather than to each voice individually.
distort seems to be monophonic. Are all of them?
And is the order of effect application fixed? Ag…
Specifically this reply by @bgold :
You can see a list of effect modules (in order) using ~dirt.modules, and reorder them using
~dirt.orderModules([\shape,\vowel])
new module order: [ sound, shape, vowel, hpf, bpf, crush, coarse, lpf, pshift, envelope, grenvelo, tremolo, phaser, waveloss, squiz, fshift, triode, krush, octer, ring, distort, spectral-delay, spectral-freeze, spectral-comb, spectral-smear, spectral-scram, spectral-binshift, spectral-hbrick, spectral-lbrick, spectral-conformer, spectral-enhance, dj-filter, out_to, ma…
That might help you in the right direction